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the haunting of pumpkin house

a postmodern ghost story for food lovers with appearances by Dante & Emily Dickinsons - and...can you find Thomas Pynchon?

 

 

 
   
   
   
 
    Dark Night ©Fredo Viola, 2001

by Diana Serbe

 
 

go to conclusion

Night was gathering about Pumpkin House in silent gray folds. Standing on the edge of the veranda, Kim closed her eyes and took a deep breath of the heavy evening air. Had she done the right thing, she wondered. She had wanted to look for the missing piece of her history, her great-aunt Emily, who had died mysteriously when still in the bloom of youth.

Kim never understood why her mother refused to talk about Emily. "I won't talk about nonsense," her mother always said, "I refuse to believe in vampires..." Her mother would refuse, but she would look troubled. "Think of good things," her mother would say, "Emily made the best pumpkin pie, and that's what I want to remember." The best pumpkin pie, but the recipe had gone to the grave with her.

So Kim had come to look through the library and the town records of this old town, to stare at the grave marker where Emily was buried. It had been a six hour drive, but now she felt only dread and fear. Should she have listened to the inner voice that warned her to drive past the unlit inn?

At the first sight of the shuttered house, almost obscured by swaying trees, her instinct had told her to turn back. The only light came from a line of pumpkins, their expressions so ferocious that she wondered what evil hand had picked up the knife that had cut into the orange flesh. She had seen nothing but woods for the last few hours, and knew she'd find no other place to stay, so she drove towards the darkened house, shuddering as she passed the pumpkins. Don't be silly, she said to herself, trying to ignore the fact that there were no other cars parked in the drive. She shoved away the premonition of evil.

Another shudder raced through her when she pushed open the creaking front door of the inn. The hall was dark, lit only by a single candelabra that stood under an blackened oil painting of an unsmiling young woman. She stared at the painting. The mouth was pinched, one eye was larger than the other, the hair drawn tightly back.

"Hello, " she called, "hello, is anyone here." No one answered.

Kim heard a creak and the clatter of metal hitting metal. She whirled, and her eye fell on a side table where she saw a key lying on a metal tray. That wasn't there when I came in, she thought, but she walked to the table. Under the key was a note written in a spidery hand. 'Take me,' said the note, 'Room six. Top of stairs.' Her hand hovered over the key. Did she want to pick it up? She thought again of the long drive to this remote place.

Slowly she climbed the stairs of the unlit hallway. Old photographs lined the walls, the faces pinched and scowling, the same expression as the pumpkins in the drive. She walked past them slowly feeling the stares of their eyes which seemed to follow her as she groped up the stairs.

Room six was at the top of the stairs. Kim put down her suitcase and started to put the key in the lock. Before the key was even in the slot, the door opened as if pulled by an unseen hand. Moonlight streamed into the darkened room, falling on a small table, lighting a small stuffed owl whose eyes glowed yellow in the night. Unnerved, Kim stepped back. A gust of wind blew the curtains and she thought she saw the outline of a form hidden in the heavy velvet folds.

Forgetting her suitcase , Kim ran stumbling down the stairs, past the eyes, tripping on fraying carpet. At the bottom of the stairs, she stopped. She had to find someone. "Hello, hello, is anyone here, please, is anyone here?" At the end of the hall was a closed door, but orange light seeped through the crevice at the bottom. Groping in the darkness, she approached the door.

Slowly she pushed the door open. Lit by the eerie glow of carved pumpkins, Kim gasped to see a large dining room littered with pumpkin pies. They covered the tops of a small refrigerator and were squashed side by side on a large hutch. They were piled, one on top of another, on a sideboard. There must be hundreds of them, she thought to herself. Another note read 'help yourself.' None of the pies had been touched, Kim noticed, though a large knife, covered in pumpkin, lay next to the food. She was hungry, but she shrank away from the food.

The door to the veranda was open and Kim thought that air would help her steady herself. She gripped at the railing of the porch and took deep breaths of the night air. From across the lawn she heard a whimpering cry. Squinting, she looked into the deep woods that surrounded the large old house.

Kim's screaming comes across the sky.

In the crepuscular stillness she saw a woman swathed in black chiffon standing at the edge of the woods. The woman stared at her and Kim recognized the pinched mouth, the uneven eyes of the blackened oil painting in the front hall. A single strand of hair blew across the woman's tear-stained face. The black chiffon that floated around her was stained with large smears of pumpkin. In her hands she held a pumpkin pie. Slowly the woman opened her mouth. Long fangs emerged at the corners of her lips. With tears streaming down her face, she shoved the pie into her mouth, her fangs tearing into it like a ravaging animal.

Then she was gone.

"I see that Gertrude has found you, " said a tormented voice behind Kim. "There's no turning back now. I hope you know how to make a pumpkin pie."

Kim whirled. The glint of a knife caught her eye.

"Your life is in danger," said the voice from the shadows of the veranda.

part two

"I am Ugolino, Count of Alighieri, " said a voice from the shadowed eaves of the porch.

The speaker stepped forward. The dark clouds obscuring the moon parted briefly, and Kim saw an ashen, hollow eyed figure swathed in a dark cape. She shrank away from him, her only thought one of escape.

"There is no escape," said Ugolino, as if he read her mind. "Your tires have been slashed and the road is empty. If you value your life, you will follow me and do as I say."

Kim took a deep breath. The clear night air steadied her. She had come to solve the mystery of her great-aunt Emily, not to take orders from a living ghoul. Count whatever he called himself. She remembered her mother brushing away the thought of Emily and vampires as silly.

"Now just a minute there, Count. I have no intention of doing what you tell me, and if my tires are slashed, well, I'll just walk out. I want to know what kind of a prank this is, and I want to know now."

"This is not a prank. Your life is in danger. I beg of you to come with me without protesting."

"I'm not going anywhere unless you tell me where you want to go."

Ugolino was silent for a moment. "I am taking you to the kitchen in the basement. You must bake the perfect pumpkin pie or you will die. To help you, I have prepared 700 pounds of pumpkin. I am your friend."

She stared at him briefly. He was not lying about preparing pumpkin, she thought, because his hands were stained, his cape smeared, and his hair so stiff with pumpkin fibers that it stood up in an orange burst around his ashen face. Kim looked at him and thought she saw kindness in his haunted eyes. Could she trust him, she wondered? She turned to look at the deep woods. A silver figure moved in the shadows.

"Please," Ugolino said, "there is no time." An owl hooted in the woods. Without speaking, she nodded her frightened assent.

Kim followed Ugolino back into the house.. They passed into the dining room, and she saw that a large pile of pumpkin pies had disappeared.

"She eats ravenously," said Ugolino. "Malignant is she, so that the craving of her pumpkin appetite is fed, and after food is hungrier than before. Now come, there is no time to waste."

Ugolino picked up a lit pumpkin and opened the small door that led to the basement. A stench more foul than a slaughterhouse assaulted Kim's nose, but she followed him into the rank and fetid stairwell. The stone walls on the side of the steps were thick with slime The rotting wood of the stairs splintered under her feet. Kim paused. Why was she doing this?

The door clicked shut behind her.

Too late, she thought, too late.

They wound down a long spiral staircase until they came to the dirt floor of the basement. Squinting in the darkness, Kim was able to make out a pile of bones and a dust-covered skull heaped in a corner.

"Alas," said Ugolino, "all that remains of the Duke of Prosciutto. "It was pride that killed him. He was too proud of the salt he used so he used too much. I hope you have no such pride," he added ominously.

They continued on led by the orange glow of the pumpkin. As they passed through the hallway, she heard the scurry of rats. Ugolino raised his pumpkin, shining the light in the corner where she saw the half-eaten corpse of a woman, her face gnawed away. The smell from that corner was putrid and thick.

"Ah, poor thing," said Ugolino, " she was very beautiful. That is the Countess of Gorgonzola. But she was too lusty, and too reckless. She loved cheese and said she didn't care, she would put it in the pumpkin pie. Take heed if you are lustful. "

He walked on with Kim stumbling behind.

"You have arrived at your destination," said Ugolino, stopping before a small door with a sign written in a cramped, spidery hand.

Here must thou every fear perforce neglect,
Here must perforce be killed all cowardice.

Kim looked at the words and stiffened with determination. She would not end up in the corner of this basement for the rats to gnaw on. Ugolino pushed the door open , and a burst of light from a massive glowing furnace nearly blinded Kim. She stepped into the room where she would have to fight for life itself. It was a kitchen of sorts. There were freezers, refrigerators, stove: there were sacks of flour, large containers of spices, a deep larder stocked with bottles of whiskey and bourbon. A massive table in the center of the room was thick with flour. Vats of cooked pumpkin littered the room.

"You are safe here for a while," said Ugolino, " and so I can tell you this tragic story of jealousy and revenge."

*

"Gertrude was a schoolmate of your great-Aunt Emily. Gertrude was beautiful. She had amber hair and eyes the color of new grass in the spring. She was also very brilliant, never having gotten less than a perfect score in any her studies. She was the only child in her family, and as Gertrude's intelligence and beauty blossomed, her mother became increasingly jealous. Gertrude went to school in the morning and returned in the afternoon to obey her mother's dictates. And her mother dictated. On the coldest, snowiest day of winter, she would order Gertrude to drag all the carpets outside to beat them until they were clean. On the hottest day of the year she would send her to the basement to scrub the floor. Gertrude bore it all. The one thing she could not tolerate was that they were alone on holidays.

On the day after a holiday, Gertrude would listen to the other girls talk about about how they helped their mothers fix turkey stuffing, or mashed potatoes. She was eaten with jealousy, and it was your great aunt, Emily who Gertrude envied most."

"No," Kim cut in. "My mother told me that Emily was shy, and that when she died they found poems she had written and stored away in a trunk."

"This is true, said Ugolino. Emily was shy and she did write poems, but she was a dickens on a pie. It was her holiday job to make the pumpkin pie which became famous throughout the town. All the girls loved it and they all went to Emily's house, just to have a small sliver of her pie. Year after year, Gertrude would listen to the girls talk. Her mouth would salivate, and with every drop of saliva, envy would grow. As would her teeth. Year after year, and no one noticed it at first, but every year Gertrude's eye teeth grew slightly longer.

Finally, one year, Gertrude could stand no more. It was Thanksgiving and she begged her mother for pumpkin pie. Her mother promised something better than Emily's pie. For once Gertrude felt loved.

But when desert came, her mother brought forward a pie made of brussels sprouts and brown rice, baked in a unflavored egg custard.

Rage broke within Gertrude and her teeth grew to fang proportions. She picked up the pie and smashed it on the dining room table then drove her newly proportioned teeth into her mother's jugular. Her mother died instantly.

All the demonic forces of hell were loosed within the small town. People everywhere heard howling from the woods as the evil forces woke. Gertrude flew to Emily's house, just as your poetry loving aunt was about to cut into her pie. Gertrude grabbed the pie from the table and ate it in one loud slurping inhalation. Then she ran at Emily,and drove her fangs into Emily's neck.

Ever since then, the forces of hell assemble at this time of year and Gertrude is unleashed upon the town. The only way to stop her is to find Emily's recipe for pumpkin pie. Many have tried. Many have failed. Many have met with death. Now it is your turn. If you find the secret, Gertrude will die this night. If you fail, she will drink your blood."

"But...but...my mother cooked the pies, not me."

Ugolino brought over a large bowl of cooked pumpkin.

"I have prepared several crusts which are in the refrigerator, and I have cooked these 700 pounds of pumpkin. Every conceivable spice is here. It is up to you to find the combination."

Kim looked around the basement kitchen. How could she do this? What did she know about pumpkin pie? She thought of the great pies her mother used to make. Why, oh why, hadn't she asked her mother for the recipe? And now her life hung in the balance. She turned to Ugolino.

"Give me an apron...."

conclusion


Ugolino handed Kim an apron. It was a white bib apron, oh so dimity-sweet.

"Now what am I going to do with that? " said Kim.

"Wear it in the spirit of your great-aunt Emily," said Ugolini, "and remember that she was the dickens on a pie. Know, too, that she died for beauty."

"And I may die for truth," said Kim, "and the search for truth requires a heavier apron."

She tossed the ruffled apron over the end of the table. Ruffles! And at a time like this. She looked at the table full of ingredients, an alchemists dream, all they needed was precision balance. Kim knew that only logic could guide her now. But was there any logic to a ghoul who slurped her food so fast that she almost drank it? Kim's eye fell on the row of bottles in front of her. Bourbon, rum, whiskey. She tried to remember her mother's pies of all the years past. Didn't her mother make a pie with bourbon one year? Or was it rum? She turned to Ugolino.

"Has anyone put rum in a pie before?"

"No," said Ugolino. He frowned. "Those are my bottles, for me to imbibe when this night is over, and desperation clutches me."

"Well, you won't need it, and I'm using it," said Kim.

Kim began mixing spices, pumpkin, cream. And then she poured in a discreet 1/4 cup of rum. She stirred her mix, combining well, of course. Then she paused and began to laugh. She picked up the bottle of rum, and poured the entire bottle into the mix.

"Spirits for the spirit," she said. "I am going to get Gertrude so drunk that she'll forget she's a ghoul. Now, be a good boy and put these in the oven. "

Ugolino threw his cape back and scurried to obey. Then he took one bottle and hid it behind a vat of pumpkin.

Kim was thinking. "Do you have ice cream?"'

Ugolino was so perplexed that color came into his face, but he nodded yes, and brought her ice cream. In no time, Kim had pumpkin ice cream pies in the refrigerator to chill.

She continued, making pie after pie, commanding a willing Ugolino to put pies in, take pies out, pile pies up. The dank basement turned aromatic with every possible combination of mace, ginger, allspice, clove, nutmeg. The vapors around the room grew sweet with sugar, molasses and honey, and intoxicating with the smell of rum and bourbon. Ugolini looked sadly at the bottles lined for his use at the end of the night. They were empty. He took a deep breath of the aromatic basement air. "Inebriate of air, am I," he said, the sadness in his eyes deepening.

The clock struck three. "Gertrude must be fed," said Ugolini. As he spoke, Kim heard a noise behind her. She turned to face the ghoul. Looking at the apparition, Kim lost her fear. This ghoul was her enemy, possibly her killer, but this was a beautiful ghoul indeed, her forehead of amplest blond, her cheek like beryl stone. How tragic, thought Kim, that this beauty was condemned to walk the night airs looking for prey. Kim stepped back and watched as Gertrude consumed the first of the pies, this one laced with rum. With one long happy slurp, she downed the pie, then put her hands over her mouth to hide her fangs. She laughed a long, shrill, laugh that derided Kim's effort to get her drunk. She downed pie after pie after pie, until finally, Ugolino brought the ice cream cake from the refrigerator. And then the miracle happened.

Not able to drink a frozen pie, Gertrude shoved it into the side of her mouth and bit down with one long, hungry fang. As she bit, the fang broke and tumbled to the the floor, its enamel glowing with light. Startled, Gertrude put her hand to her mouth to feel a normal sized tooth. She began to tremble. She picked up the rest of the cool pie and bit down hard with the other fang. Only the slightest tip of the fang fell to the floor. Gertrude covered the fang, looked at Kim and began to cry. Kim looked at Gertrude, stuck with that fang which was cosmetically very unattractive. Kim, too, began to cry.

But they knew it was not over. One of them had to die. Gertrude put her hand to her mouth and felt her teeth. The tips were growing again, preparing her for battle. In an extraordinary gesture, she reached for the white ruffled apron and handed it to Kim. In long drawn out syllables, she whispered, "E...mi...ly."

Puzzled, Kim accepted the apron. The spirit of great-aunt Emily was in this apron. Somehow, she didn't know why, what could it have been, Kim had felt Emily's presence around her throughout the entire evening, but now Gertrude was giving her a hint, an advantage. She put the apron on, and suddenly remembered the lines of a poem that had been stashed away in Emily's trunk.

"The morns are meeker than they were,
The nuts are getting brown;
The berry's cheek is plumper,
The rose is out of town."

Was that the secret? Then she remembered another poem..

"As flavors cheer departing guests
With banquetings to be,
So spices stimulate the time
Till my small library."

What did this mean? Kim closed her eyes and let Emily's gentle spirit enter her. When she opened her eyes she spoke with authority.

"You must go out to the bog," she said to Ugolino. "And I must make my own crust. None of this pre-made stuff, for heaven's sake, that's for amateurs."

Kim set to work again, but this time she browned nuts in the oven, and when she rolled the pie dough she sprinkled it with spices. Ugolino returned from the bog with fresh cranberries which Kim chopped and lightly cooked. Once again, Kim assembled an array of pies. She counted them. There were forty, each with its own minute difference in measure.

Kim was ready for the adversary. She and Ugolino stood waiting.

When Gertrude returned, her hand was over her mouth. Kim knew that she was hiding fangs that had grown back to their full neck-piercing splendor. Unconsciously, she put her hand to her neck.

Gertrude ate slowly, as if she knew that Kim would fail and she would be forced to kill again. When she reached the pies with the spiced crusts, her fangs began to shrink, her power to dissolve. Gertrude would die without her fangs.

As she took the last bite, she knelt before Kim, lifted the hem of the apron, put it to her face and began to intone

"No rack can torture me
My soul's at liberty.
Behind this mortal bone
There knits a older one."

She wept into the edge of the apron, using one dimity ruffle to wipe her eyes. "That was a poem," she said. She stood in front of Kim. Her fangs were gone.

"Now I die," she said. And then she smiled, a radiant smile with a hundred years of dawn in it. "That was a poem," she said. "A poem. I wrote a poem. Just like Emily. "

Her spirit rose, grew thinner and thinner, melding into the aromatic vapors of the basement until she disappeared.

Kim stood motionless, clutching the edges of the apron. She had found great-aunt Emily.

Ugolini, whose nose had grown redder throughout the evening, rushed to look behind the empty vat of pumpkin for his hidden bottle of bourbon.

From deep in the woods, a voice was heard, crying happily,

"E...mi...ly."

 

The end

©Diana Serbe

 
   
   
   
 

Diana Serbe is a writer and the editor of In Mamas Kitchen. Click to meet her on the about us page.


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©Diana Serbe, 2001